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The Catalog
This catalog site is designed so that it can be searched by keyword, collection, type of instrument, and date. It contains information on instruments in the possession of Duke University, with the exception of modern practice and performance pianos.
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Eddy
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Replica Harpsichords and Fortepianos
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Music Department Instruments
Contact Info
Dr. Brenda Neece, DPhil (Oxon.)
Curator, DUMIC
Box 90665
Durham, NC 27708-0665
USA
Tel: 919-660-3320
Fax: 919-660-3301
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RHF9 Regal
Collection: Replica-Harpsichords-and-Fortepianos
Organized in Aerophones and Keyboard
Regal, Bruce Shull (1982)
Single rank of reeds
C to c’’’ with short octave
RHF8 Triple Fretted Clavichord
Collection: Replica-Harpsichords-and-Fortepianos
Organized in Chordophones and Keyboard
Triple Fretted Clavichord, Keith Hill (1971?)
After German anon. C to c’’’ with short octave
Mahogany
RHF7 French Double Harpsichord after Blanchet
Collection: Replica-Harpsichords-and-Fortepianos
Organized in Chordophones and Keyboard
French Double Harpsichord after Blanchet, Hubbard Harpsichords, Inc.
8, 8, 4, lute stop. Transposes: 415, 440.
Kit under construction.
Generous gift of R. Abernathy.
RHF6 Single manual “German” Harpsichord
Collection: Replica-Harpsichords-and-Fortepianos
Organized in Chordophones and Keyboard
Single manual “German” Harpsichord, Sperhaake (c. 1965)
8, 4, lute stop divided treble and bass
Fruitwood veneer
RHF5 Italian Single Harpsichord
Collection: Replica-Harpsichords-and-Fortepianos
Organized in Chordophones and Keyboard
Italian Single Harpsichord, Bernard Edskes (1987)
8, 8. Low pitch.
Instrument of spruce (?).True “Inner-Outer”
Red case with thin gold band, red and black inside lid.
AA to d’’’, 54 notes.
Fruitwood naturals, ebony capped walnut naturals.
RHF4 French Single Harpsichord
Collection: Replica-Harpsichords-and-Fortepianos
Organized in Chordophones and Keyboard
French Single Harpsichord, Willard Martin (1976)
8,8. Transposes: 415, 440.
Very dark green—almost black; papers in keywell and inside case.
RHF3 Franco-Flemish Double Harpsichord
Collection: Replica-Harpsichords-and-Fortepianos
Organized in Chordophones and Keyboard
Franco-Flemish Double Harpsichord, Richard Kingston, (1983)
8, 8, 4, lute stop. Transposes: 415, 440.
Ebony naturals, bone capped sharps.
Very dark blue—almost black, lighter blue inside lid, trestle stand
RHF2 French Double Harpsichord after Blanchet
Collection: Replica-Harpsichords-and-Fortepianos
Organized in Chordophones and Keyboard
French Double Harpsichord, William Dowd after Blanchet (1980)
8, 8, 4, lute stop. Transposes: 415, 440.
FF to f’’’, 61 notes
Red case with gilding
RHF1 German Double Harpsichord after Mietke
Collection: Replica-Harpsichords-and-Fortepianos
Organized in Chordophones and Keyboard
German Double Harpsichord, William Dowd after Mietke (1985)
8, 8, 4. Transposes: 392, 415, 440.
GG to d’’’, 56 notes.
Sage green case, cherry stand with turned legs.
E407 Grand Piano by Muzio Clementi & Company
Collection: Eddy
Organized in Chordophones and Keyboard
Nameboard: “Muzio Clementi & Co / Cheapside, London” (London, c.1805-10)
Serial #: 710
Catalog #: 407
Description:
This is a fine, playable example of a Clementi piano with a typical English grand action. Not original, its hammers are made of wood and covered with hard leather and its dampers are made of white cloth. Many of the damper jacks are original, with original number stamps, and are made of pear wood. The keyboard consists of ivory naturals and ebony accidentals. The soundboard is made of spruce with its grain running along the length of the case, roughly oblique to its split bridge. The entire frame is made of wood with the exception of four iron gap-stretchers. The case is made of oak covered by mahogany veneer with holly banding. The nameboard is veneered with mahogany and satinwood. The Clementi name and decoration on the nameboard is painted. The tuning pins are square in shape and are made of wrought iron. This piano has two pedals: a sustain pedal and an una corda that can be adjusted by a lever on the treble end of the keyboard, making it una corda or due corde. Some of the bottom boards, veneering, brass catches, hammer shanks, and strings are not original. The piano sits on a trestle stand rather than individual legs. The instrument was restored in 1976 by Robert E. Smith in Boston.
Measurements:
Key width, 2.25 cm.; octave width, 16.3 cm.
Range: FF-c4. Triple-strung throughout. FF-G#, plain brass; A-c4, plain iron. FF, 173.1 cm.; c2, 27.8 cm.; c4, 7.2 cm.
Width, 106.2 cm.; length, 277.4 cm.; top to floor, 93.2 cm.; depth of case, 31.8 cm.
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